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Ballet Luminary Matthew Ball on Grueling Roles and Online Scrutiny: 'I'm Not Protective About My Body'

Within the quiet ambiance of a lounge near London's Royal Ballet, Matthew Ball requests a mint tea. His carriage is naturally upright, his arms defined beneath a plain white T-shirt. During performances, ballet dancers can appear like mighty deities, yet frequently offstage they are petite. Not so Ball, whose tall stature is part of his popularity for princely characters and pas de deux work. With fine features and intense eyes, there's a hint of a brooding actor about him.

A Seamless Ascent to the Pinnacle

Now 31, Ball is experiencing the crest of a career that has advanced seamlessly. Raised in Liverpool, he encountered minimal ridicule for his childhood interest in ballet. Entering the Royal Ballet School at 11, he graduated straight into the troupe and was advanced each year, reaching the top rank of lead dancer in 2018. He has loved taking on substantial characters, particularly the psychological angst found in a famed choreographer's ballets.

"Your breath is short, your legs get heavy, but it’s really a neural fatigue."

His upcoming featured role is as himself, in an "Evening With" series aiming to offer behind-the-scenes perspectives into a dancer's art. He will walk the audience through a part, showing his mental workflow during execution. Yet in lighter works, the challenge is significant. "Don Quixote is one of the toughest technically," he notes.

The Mental Struggle and After the Show Feelings

What about after a performance, when he has succeeded? "It's pretty good," he admits. "However because I'm trying to squeeze all the emotion out of it, and get immersed in the role, quite often I do feel embarrassed later. Following Mayerling I'm always thinking: Wow, what must people think?"

Offstage, Ball is reflective, mild-mannered, and quick to laugh at himself. Yet a choreographer previously observed on a "kind of suffering in him." Is there? "I'm quite energetic usually, but I do have a melancholy streak," he confesses. "I kind of enjoy negativity sometimes. I've always felt that doubt has been an catalyst for positive change."

Early Motivations and Artistic Inspirations

His determination stemmed from early setbacks. Not excelling in competitions at school made him "vengeful!" It was fuel to prove he could succeed. Discovering the book *Mao's Last Dancer* was a "watershed" moment. "It flipped a switch, it made me go a bit obsessive," he remembers.

An upcoming challenge is creating his own dance works. In his view, "organic movement has value." "Challenging the rules is compelling, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be filled with meaning, drawing ideas from books, compositions, and art.

Close-Up Performance and Personal Dynamic

He also favors staging dance in more intimate venues. "It was just really thrilling," he says of a past experience. "You’re so near to the audience. I felt as if they were thinking: 'That’s a person, and they’re perspiring.'"

Ball has made pieces with his girlfriend, fellow lead dancer Mayara Magri. The level of trust between them is evident. "We first practiced on a beach," he says of a daring lift. "It was like Dirty Dancing." They are not typically matched on stage at their home company, which might be beneficial. "We’re both quite determined people, so it’s not always smooth sailing," he notes. "Yet I feel like we’re each other’s favorite cheerleader."

On Social Media and Physical Image

On social media, followers can see videos from his projects and photos that highlight a sculpted physique. Does he mind that the engagement can be a bit objectifying? Not particularly. "The body is just what we use, so I don’t feel very protective about it," he states. He relates it to seeing Michelangelo’s David—something that can be seen on multiple ways.

Ball characterizes his younger self as "eager for success." Has it lived up to his expectations? "I am conscious of how life is a different reality to the aspirations you made as a young person," he muses. He likely has about decade of dancing left. "I guess in the future, I want to be a bit more kind with myself."

By

Rhonda Cannon

Urban planner and tech enthusiast focusing on sustainable city innovations and community-driven development projects.

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